INTRO
1. On Neurodivergence and Otherness: An Introduction
SENSES AND SENSORY SENSITIVITIES
2. Senses Count
3. Neurobiology for Dummies
4. Sensory Transmission and our Reward System
5. Sensory Receptors are the Body’s Cellular Plan
6. A Synthesis: Sensory Systems and our Emotions — Part I
7. A Synthesis: Sensory Systems and our Emotions — Part II
8. Sensory Disorders and Sensitivities
9. Etan’s Story
10. Synesthesia: Difference, But Not Disorder
11. Synesthesia, Creativity, Artistry — Part I
12. Synesthesia, Creativity, Artistry — Part II
AUTISM AND THE NEURODIVERSITY MOVEMENT
13. From “Mental Defectives” to Autism Spectrum Disorder
14. Changing Conception of Autism
15. Autism Diagnoses and Behavior Patterns
16. Autism Treatments that Help
17. Early Start Autism Treatment: A Case Study
18. Neurodivergence and the Neurodiversity Movement
19. Neurodiversity Takes Flight
ADHD
20. ADHD and Neurodevelopmental Disorders
21. ADHD: A Preponderance of Risk Factors and Symptoms
22. ADHD: Inattentive, Impulsive…and Hyperactive?
23. ADHD: Named, Renamed, Still Needs a New Name
24. ADHD: Treatment and Coping Skills for All Ages
LGBTQ+
25. Neurodiversity and the LGBTQ+ Fight
26. LGBTQ+ Identity and Expression
27. LGBTQ+ and Mental and Behavioral Healthcare
ON LANGUAGE
28. Language Matters In and Around Neurodiversity
29. Neurodivergent Language Difficulties
30. Disability-Inclusive Language Guidelines
ON CREATIVITY AND GIFTEDNESS
31. Neurodiversity and Creativity
32. Giftedness is a Piece of Neurodivergence
SELF-IDENTITY
33. Self-Identity: The Cornerstone of Neurodiversity
34. Early Theories of Self-Identity Formation
35. Contemporary Theories of Self-Identity Formation
36. Authenticity and the Search for Self
37. Self-Schemas and Neurodivergence
38. Self-Labeling and Parts Work
39. Complexity, Clarity, and Self
IMPROVING LIFE FOR NEURODIVERGENT PEOPLE
40. Empathy Recognizes and Navigates Difference
41. Reducing Neurotypical-on-Neuroatypical Conflict – Part I
42. Reducing Neurotypical-on-Neuroatypical Conflict – Part II
43. Communicating Across the Neurospectrum – Part I
44. Communicating Across the Neurospectrum – Part II
45. Neurodiversity: Advocacy and Education
46. Neuroinclusion in the Workplace
47. A Neurodiverse Lifestyle
IN CONCLUSION
48. In Conclusion: Neurodivergence and Inspiration
Charles Demuth, I Saw the Figure 5 in Gold, 1928
For decades, scientists ignored or disbelieved so-called synesthetes who claimed they could hear colors, taste words, or see pain. Yet, synesthesia may be the purest form of neurodivergence: difference, but not disorder. It may challenge or disrupt aspects of living — especially with other conditions — but it may also enhance cognition, learning, and creativity. Understanding this sensory anomaly might provide insight into sensory experiences’ influence on the workings of our minds.
We’ve learned how the sensory system falls off “normal” when it’s disorganized and functions less well — affecting the senses and the ability to navigate the environment. Sensory processing disorder (SPD) can be standalone or a set of underlying symptoms for something else.
Neuroscience sees synesthesia as a rare sensory condition that occurs when the steps in sensory processing become entangled — in a confounding but not disabling way. Researchers estimate 4% of people worldwide are synesthetes, which may be conservative given the myriad forms this condition can take. Many with synesthesia don’t know what it is or even that it’s unusual.
Ranu summarizes impressive research studies looking at possible non-invasive, safe, and drug-free treatments for these and other sensory challenges, from Harvard’s Five Senses: Input & Response program, Harvard Medical School teaching hospitals [edited for brevity]:
In the Middle Ages, synesthesia was linked with mystical and religious experiences — and described by religious scribes, according to Frontiers in Human Neuroscience. During the Renaissance, it was linked to artistic expression. Leonardo da Vinci was known to have been inspired by his synesthetic experiences. Same with philosopher-poet John Milton, who described seeing colors and shapes in response to music.
Source: Synesthesia-test [green outline added by me]
Scientific study began in the 19th century. Researchers believed synesthetic experiences were learned — but also helped with learning, especially in mathematics, remembering sequences, and other complex structured learning. Early 20th-century studies focused on its psychological and cognitive aspects but rejected learning as either cause or function.
More recently, physician neuroscientist Richard E. Cytowic, author of Synesthesia: A Union of the Senses, showed how healthy brains experience synesthesia, how these experiences are “real” (not metaphors), and how we’re all possibly born with “neonatal synesthesia” or are unconsciously synesthetic. It opens our understanding of mental health, which he recognizes as an emotional experience. Cytowic writes, it’s “accompanied by a sense of certitude” — a “this is it” feeling — as seen in the ecstatic religious writings of American philosopher/ psychologist William James.
Synesthesia affects people’s perceptions, artistry, cognition, and memory—allowing for easier connections between concepts. Newer research notes the profound impact of learning in synesthetic development and its influence on learning new conceptual material. In sum:
Recent research shows synesthetic associations are not just arbitrary, as Cytowic writes: “The theory states synesthetic associations are not merely learned but learned for strategic purposes.” For example:
Synesthesia is a neurological phenomenon that causes the senses to cross over and blend. For those who experience it, sounds may be seen as colors, letters may have distinct personalities, and emotions may be associated with specific tastes or smells. —Synesthesia-test
Research identifies synesthesia as a neurological condition. A sensory stimulus along one neural pathway triggers an involuntary stimulus along another pathway, resulting in seeing colors when hearing music, tasting words, or other cross-sensory perceptions.
As synesthete Maureen Seaberg writes in Psychology Today, it’s a form of neurodivergence. Here are her insights [paraphrased]:
Synesthesia runs in families, suggesting a genetic component—more likely, part genes, part neuro-brain, part learned—influencing learning and affecting perception.
In some forms of synesthesia, such as sound-color synesthesia, a person may experience colors when they hear sounds or music. This can lead to a richer and more complex experience of music, with each note or chord triggering a specific color. —Synesthesia-test
Science is interested in how synesthetes can use their sensory perceptions to learn new skills or enhance cognitive abilities. One area of study is how brain mechanisms underlying synesthesia change sensory information processing—leading to advances in understanding the brain, perception, and the nature of consciousness, according to Synesthesia-test.
Seaberg quotes V.S. Ramachandran, University of California at San Diego: “Synesthesia is as high as eight times more common in creative people: poets, writers, musicians, and artists of various kinds.” In his TED talk, Ramachandran said, “If you assume there’s greater cross-wiring and concepts are located in different parts of the brain, then it’s going to create a greater propensity toward metaphorical thinking and creativity in people with synesthesia.”
Ramachandran … believes the gene for synesthesia is expressed more diffusely throughout synesthetes’ brains than just the known hotspots, providing pathways that create an environment for linking seemingly unrelated things. If connected neurons live in concentrated groups in some minds, the synesthesia brain may have a wider fishing net of interconnected nerves. —Maureen Seaberg, Psychology Today blog
Synesthesia is not always a positive experience. Some may find it difficult to cope and not share their perceptions with others, feeling isolated or misunderstood as a result. Others sensitive to sensory overload find their experiences overwhelming, particularly if strong emotions are associated with their perceptions.
Chemistry expert Anne Marie Helmenstine, Thought Co., notes synesthesia works in two ways:
In another explanation, the Cleveland Clinic explains “normal” sensory processing in three easy steps (covered in prior posts):
Each sense has many perception abilities. For example:
People with synesthesia process the steps differently, usually sending the same information through two or more brain areas at once—resulting in primary and secondary effects:
With so many possible combinations of senses and perception abilities, researchers have identified 60-150 different forms of synesthesia. Some synesthetes perceive texture in response to sight, hear sounds in response to smells, or associate shapes with flavors. Nearly any combination is possible, but here are the most common:
Synesthesia is not an illness nor mental disorder. Rather, it’s a unique way of experiencing the world through a mixing of the senses. Most synesthetes can usually learn to manage the secondary effects, which are mostly short-lived. In severe, but rare cases, synesthesia can be strong enough to disrupt concentration or focus. Three main causes:
1) Developmental synesthesia is a form of neurodivergence. People’s brains work differently from neurotypical people’s, the synesthesia effects can be longer-lasting, and they can shift and change to follow along with the primary effects. It’s not fully understood why their brains develop and work as they do, but it might be due to multiple factors:
2) Acquired synesthesia: Brain damage can cause people to “acquire” synesthesia — possibly due to brain connections changing as it recovers from injury. It’s a less consistent condition than for those born with it, and it might go away over time. Compared to developmental synesthesia, acquired synesthesia effects are brief, simple, and don’t follow primary effects.
Tomas Chapa, “Color of Sound: Exploring Synesthesia,” Consciousness Uncovered. Created using DALL-E by OpenAI/ChatGPT
3) Drug-induced synesthesia: Nonmedical use of psychedelics — causing pseudohallucinations (false hallucinations) or, rarely, hallucinations — can cause synesthesia, especially at higher doses. Drugs include: dimethyltryptamine (DMT), LSD, peyote (and mescaline), psilocybin. Hallucinogenic drugs like LSD and psilocybin can induce synesthetic experiences in some people. Ways how drug-induced synesthesia can affect people:
Science is divided, but there’s a growing conviction that most people are born with synesthesia. It’s also possible to learn or induce the condition — even if it’s less vivid, consistent, or long-lasting. While inducing synesthesia can be a transformative and fascinating experience, there are potential risks, side effects, and ethical concerns.
In addition to drug-induced, some experience synesthetic perceptions during meditation and mindfulness practices—deep states of concentration or awareness can elicit periods of heightened sensory awareness and perception. Others induce synesthesia through sensory deprivation or enhancement techniques, like listening to binaural beats (see Glossary) or using sensory deprivation tanks.
Potential applications will evolve as researchers explore new ways of inducing and experiencing synesthesia. Synesthesia-test calls sensory systems ground zero for many aspects of neurodivergence, and induction may be evidence of the brain’s plasticity or neuroplasticity.
Induction may also have applications in art and design, where synesthetic perceptions can create more immersive experiences. Some artists have used sound and light to create synesthetic installations designed to evoke viewers’ emotional responses.
Everyone’s experience with synesthesia is different, and what works for one person may not work for another. I’ve paraphrased and added to Synesthesia-test’s coping strategies:
Synesthesia reinforces that people have sensory differences. Neurodivergent people make such richly rewarding contributions to the world. It’s time to pay attention. In Post 11: Synesthesia, Creativity, Artistry — Part I, I profile famous artist and scientist synesthetes who are inspired by their multi-sensory ability to hear music when they paint or see color when they play music, think, or read. Through the ages, those with synesthesia have described their experiences as if shared by the rest of us.
